In Johnson’s day, blues was the devil’s music, and the Marlin singer was a man of God. He was such a maverick that he still doesn’t get proper credit. nothin’, that’s all that Bobby left me” all the more powerful and authentic. Hey! The cover of this album has a photo of lyricist Taupin wearing a "Daddy Who?" We sure did. Watch it!” Sam warns, as if to caution the thousands of future bar bands who’d be amending their set lists to make room for the song—which, in case you were wondering, is about Samudio’s cat. 4 in the UK, one place higher than achieved by "Crocodile Rock". Its appeal lies not only in the angular melodic lines but also in the marvel of its performance. We're tough and we're Texan with necks good and red Jerry Jeff Walker and Gary P. Nunn: “London Homesick Blues” Walker helped make his band mate Nunn’s 1973 tune (with Nunn on vocals) part of the vernacular before Austin City Limits dubbed it its theme song. Hey! And thus was born the modern cheating song. Oh it's made for us workers who sweat, spit and swear Freddie King: “Hide Away” Nothing showcased the Texas-Chicago blues connection like Gilmer guitarist Freddie King’s 1961 “Hide Away,” which liberally borrowed from other sources and, in so doing, created a new blues standard. The rat-tat-tat of the rhythm section is as unnerving as the overdubbed gunshots at the beginning of the song; there’s been very little else in white pop music with such propulsive thrust. “Me and Bobby McGee” would be Joplin’s first number one single, but she would not live to see its release. Love Texas? You could say that it couldn’t possibly have come from nowhar else but Texas, but even that’s a little vague; “She’s About a Mover” couldn’t possibly have come from nowhar else but San Antone. It was a huge hit for her in 1953 but it was eclipsed three years later by a version from a Mississippi kid named Elvis. Freddy Fender “Wasted Days and Wasted Nights”. “Hi, everybody! Rather than limiting ourselves to songs that are about Texas, we defined a Texas song as any song performed by a Texas artist. Don't have an account? Goddamit you're all gonna die The title of the album came from friend and comic actor Groucho Marx of The Marx Brothers who referred to him as 'John Elton' whilst holding out his middle and index finger in the style of a pistol. Blind Willie Johnson “Dark Was the Night, Cold Was the Ground”. Illinois Jacquet (with Lionel Hampton) “Flying Home”. Successful as a songwriter but stymied as an artist, Willie fled Music City for his native Texas in 1971, intent on making his own music on Red Headed Stranger, which was so out of step with prevailing sounds that his label first dismissed it as a bunch of demos it didn’t want to release. Though she at first tended to elevate everything into a screech, by 1971, when she recorded “McGee” for her album Pearl, she had a newfound maturity on display, constantly lifting lines (“Windshield wipers slappin’ time”) and reigning them back in (“Holdin’ Bobby’s hand in mine”). If anything, the song sounds more audacious now than it did when it first shot to number thirteen on the national charts in 1965, at the height of the British Invasion. Then Sunny Ozuna and his group (which eventually morphed into the Sunliners) revived this 1958 Little Willie John ballad. Joe Patek Orchestra: “The Shiner Song” John Patek started the orchestra in the twenties, but it was his son Joe, who played clarinet and sax and eventually took over as bandleader, who overhauled the traditional “Farewell to Prague” in 1949 and named the results after their hometown. The Houston native thus earned the title the Lark of the Border. First, you’ve got that two-step rhythm—always common in regional Tex-Mex, country, and Cajun-zydeco but not in rock and roll, not then or now. When Waco’s Playboys recorded “San Antonio Rose” as an instrumental, in 1938, country fiddle and steel took the leads. Otherwise, try again or reset your password. Get our weekly newsletter, filled with good reads, news analysis—and updates on special events. ZZ Top: “La Grange” Before Burt Reynolds ever heard of it, the Chicken Ranch was immortalized in 1973 by Houston’s ZZ Top, who took (yes, took) a John Lee Hooker riff and set it to their sleaze-boogie motif. The minds of our daughters are poisoned by you Consensus, but it was about music your friends Corsicana singer by Houston ’ s intro! To groan asks, “ who are you to groan voice that transformed the song endures acknowledged! An originator of country blues and the Drells, of Houston, Texas. ” ( he did have band... 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