Additional reporting by Tom Brueggemann and Eric Kohn. “The strength of French cinema is that diversity,” she said, noting that French cinema includes not just the usual arthouse fare, but also a robust animation slate and plenty of blockbusters, like Besson’s big winners. The online streaming outfit acquired the exclusive U.S. rights to the drama last summer, and recently added other French films as part of their “Netflix Originals” banner, including Sébastien Betbeder’s “Journey to Greenland” and Bertrand Bonello’s “Nocturama.” That’s a solid start. It’s the latest versions of those films that often struggle to effectively cross over. She’s different than Hollywood actresses. Furthermore, international co-productions tend to have a 30% higher budget than entirely national films. • Application Process “We have to admit that the situation is not as good as it was then.”. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. Nowhere We know how to do it, we are the only one to do it, we do it in a competitive market. “The typical audience is an aging audience, it’s good, we have that base, but what can we do to reach out to younger audiences?”. FEATURE FILM This site uses cookies. “The Salesman” (released through Amazon and French cinema stalwart Cohen Media Group), which was co-financed by Arté France Cinema, has picked up over $1.7 million at the box office, along with a Best Foreign-Language Film Oscar. “I do think that audiences that go to arthouses are pre-disposed to go see French films,” he said. Giordano echoed that sentiment. Public funding (€ 99.3 million) was more important to international co-productions, accounting for 36% of their total financing volume, compared to 24% in the case of purely national films. It meant that French cinema was suddenly part of a big family and they believed in it.”. • Cinéma du Monde “Hopefully, with Netflix showing ‘Divines’ on their platform, you’ll have people watching this movie that have never watched a French movie before.”. “Isabelle Huppert as a competitor in the Oscar race is a good symbol of the situation for French films here in the U.S.,” Giordano said. Free information on locations, crews, labour rates and facilities. Following at a distance, the second most important pair of financing sources consisted of pre-sales (€ 222.4 millios, 16%) and producer investments (€ 215.7 million, 15%). “Things can change very fast with Netflix and Amazon,” Ozon said. In the coming weeks, the UniFrance reps are looking forward to Olivier Assayas’ “Personal Shopper,” starring Kristen Stewart, which they expect to do well. Monzier pointed specifically to Jacques Audiard’s “Dheepan,” which won the Palme d’Or at Cannes in 2015, and then went on to make less than $250,000 at the U.S. box office. Padrenostro € 87.564 • Eligibles Productions and expenses Sehring is still high on theatrical releases for major titles, and his experience speaks to the appeal of French films in particular. Get a “TRIP” to France In all, we have guaranteed nearly 6,000 Feature Films, Television Series, Documentaries and Streaming Productions. • Available funding for French qualified co-productions A good watch if you're a couple! 1. Interviews with leading film and TV creators about their process and craft. Red Rock Entertainment is a UK based film finance company, located at the world famous Elstree Studios in Borehamwood, home to some of the biggest TV shows on British television and the studio of choice for many successful British films. I do think that audiences that go to arthouses are pre-disposed to go see French,! 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