I would never…. Watching it this time, I realized how disturbing certain parts really were. However, there are some great ideas on show here, and I really think the director really went for it, meaning that he wasn't afraid to throw in some unforgettably twisted scenes, notably when a man is shot to ribbons with gold bullets and the townspeople hack away at his still-alive body to find them. Check the IMDB listing for more detailed comments on what makes this film over-the-top. They are to be found in a nameless town run by a black clad bandit and his men, who battle against the murderous inhabitants, who kill Oaks, to claim the gold for themselves. Wikipedia specifies that despite the title of the film Milián isn't actually supposed to be Django. I read somewhere that this film was scripted before Corbucci's film came out; if so, what a fortuitous coincidence that it also centres around a mixed-race drifter looking to settle a conflict between Mexicans and white Americans with plenty of violence, including a lot of that red poster paint blood that, more so even than the Spanish desert, lets you know you're watching an Italian Western. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Maybe just a bit too slow-paced but it was still entertaining throughout and something was always happening. Recounting these events does not truly convey the weirdness of the film; it’s as far from John Ford’s Stagecoach (1938) as is possible to be in the same genre. I used to have a censored verison taped off BBC2's Moviedrome back in the early 90s. © Letterboxd Limited. It's got one crazy-ass name. There’s also an almost stream of consciousness going on with people and storylines coming and going. Unfortunately too hyped up for me. The last night, he goes to Alderman Ackerman’s (Paco Sanz) and his mad wife, Elizabeth (Patrizia Valturri), where, after releasing Elizabeth from her locked room to seduce the Stranger, Ackerman steals the Stranger’s gun and shoots Tembler with it for the gold. For when you want to wallow in despair. Corny, awful but all the actors had nice teeth!!! However, the Americans in the band betray him, and shoot all the Mexicans. The director Giulio Questi perhaps wanted the viewer to wallow in the…. It’s got a weird blend of genres such as western, melodrama, homoeroticism, horror, and psychedelic style that was prevalent during that time. The Unhappy Place. I can understand why, as it certainly is one of the most bloodiest of all Spaghetti Westerns (but it is not without competition; in the later The Fighting Fists of Shanghai Joe (1973), a kung-fu Western that is surprisingly good, you see eyes gorged out, arms chopped off and a person falling into a spiked pit, all with luridly red blood). If you want anything but a strange, bleak and exceptionally violent western, leave now. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Classic weirdo spaghetti western. Tomás Milián Marilù Tolo Piero Lulli Milo Quesada Francisco Sanz Miguel Serrano Ángel Silva Sancho Gracia Mirella Pamphili Ray Lovelock Roberto Camardiel Patrizia Valturri Calogero Azzaretto Lars Bloch Frank Braña Sisto Brunetti Ann Collin Gene Collins Rafael Hernández Antonio Pica Herman Reynoso Fernando Villena Quinto Gambi, Franco Arcalli Giulio Questi Benedetto Benedetti, GIA Società Cinematografica Hispamer Films, Django Vem Para Matar, O Pistoleiro das Balas de Ouro (Matar para Viver e Viver para Matar), Si estás vivo dispara, Django - Leck Staub von meinem Colt, Django dræber, Oro maldito, Django - tappaja, Tire encore si tu peux, Ένας ξένος... λίγο χρυσάφι... πολλά πτώματα, Long hu sheng si dou, Lung fu san sei dau, Oro hondo, 情無用のジャンゴ, Django Mata, Django, Kill!
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