however, and he sits at home, wondering if his friend’s experience The major image in the poem is the ferry. On the ferry-boats, the hundreds and hundreds that cross, returning home, are more curious to me than you suppose. At the beginning of the poem, the speaker remarks that many have completed this journey before him and many will travel this route after he is gone. does not differentiate between the natural and the man-made. This sense of repetition and revisiting reinforces the thematic Whatever it is, it avails not—distance avails not, and place avails not, I too walk’d the streets of Manhattan island, and bathed in the waters around it, I too felt the curious abrupt questionings stir within me, In the day among crowds of people sometimes they came upon me, In my walks home late at night or as I lay in my bed they came upon me, I too had been struck from the float forever held in solution, That I was I knew was of my body, and what I should be I knew I should be of my body. of New York City, he realizes that others have also shared his range This seems to be Whitman’s nod to historical specificity, which In the end Whitman seems to give more credence to shared Boghani, A. ed.
It was substantially revised in 1881. Page We must revel in our physical surroundings, for our relationship with our environment is the ticket to achieving spirituality and fulfillment.In accordance with his signature style, Whitman wrote "Crossing Brooklyn Ferry" in free-verse. too had receiv’d identity by my body, / That I was I knew was of The 1881 version is divided into nine sections and has 147 lines. I too many and many a time cross’d the river of old, Watched the Twelfth-month sea-gulls, saw them high in the air floating with motionless wings, oscillating their bodies, Saw how the glistening yellow lit up parts of their bodies and left the rest in strong shadow, Saw the slow-wheeling circles and the gradual edging toward the south, Saw the reflection of the summer sky in the water, Had my eyes dazzled by the shimmering track of beams, Look’d at the fine centrifugal spokes of light round the shape of my head in the sunlit water, Look’d on the haze on the hills southward and south-westward, Look’d on the vapor as it flew in fleeces tinged with violet, Look’d toward the lower bay to notice the vessels arriving, Saw their approach, saw aboard those that were near me, Saw the white sails of schooners and sloops, saw the ships at anchor, The sailors at work in the rigging or out astride the spars, The round masts, the swinging motion of the hulls, the slender serpentine pennants, The large and small steamers in motion, the pilots in their pilot-houses, The white wake left by the passage, the quick tremulous whirl of the wheels, The flags of all nations, the falling of them at sunset, The scallop-edged waves in the twilight, the ladled cups, the frolicsome crests and glistening, The stretch afar growing dimmer and dimmer, the gray walls of the granite storehouses by the docks, On the river the shadowy group, the big steam-tug closely flank’d on each side by the barges, the hay-boat, the belated lighter, On the neighboring shore the fires from the foundry chimneys burning high and glaringly into the night, Casting their flicker of black contrasted with wild red and yellow light over the tops of houses, and down into the clefts of streets. Crossing Brooklyn Ferry Summary: In this poem, the speaker describes his daily commute on a ferry running between Brooklyn and Manhattan. Steamships The idea that many will experience the same feelings that he is currently experiencing gives the speaker comfort. Gaze, loving and thirsting eyes, in the house or street or public assembly! come together.In his description of the New York waterfront Whitman You have waited, you always wait, you dumb, beautiful ministers, We receive you with free sense at last, and are insatiate henceforward, Not you any more shall be able to foil us, or withhold yourselves from us, We use you, and do not cast you aside—we plant you permanently within us, We fathom you not—we love you—there is perfection in you also, Great or small, you furnish your parts toward the soul. He used to wonder if he was the only one who felt this way but has since overcome his insecurity. 1. cast black shadows at nightfall! "Walt Whitman: Poems “Crossing Brooklyn Ferry” Summary and Analysis". The repetition of this trip across the East River time and time again represents the cycles of history. Throb, baffled and curious brain!
This process is automatic. Flood-tide below me!
Nor is it you alone who know what it is to be evil, Had guile, anger, lust, hot wishes I dared not speak, Was wayward, vain, greedy, shallow, sly, cowardly, malignant, The cheating look, the frivolous word, the adulterous wish, not wanting, Refusals, hates, postponements, meanness, laziness, none of these wanting, Was one with the rest, the days and haps of the rest, Was call’d by my nighest name by clear loud voices of young men as they saw me approaching or passing, Felt their arms on my neck as I stood, or the negligent leaning of their flesh against me as I sat, Saw many I loved in the street or ferry-boat or public assembly, yet never told them a word, Lived the same life with the rest, the same old laughing, gnawing, sleeping, Play’d the part that still looks back on the actor or actress, The same old role, the role that is what we make it, as great as we like, What thought you have of me now, I had as much of you—I laid in my stores in advance, I consider’d long and seriously of you before you were born. can disrupt continuity of experience. Whitman wonders what Crossing Brooklyn Ferry, poem by Walt Whitman, published as “Sun-Down Poem” in the second edition of Leaves of Grass in 1856 and revised and retitled in later editions. The best I had done seem’d to me blank and suspicious, My great thoughts as I supposed them, were they not in reality meagre? What is more subtle than this which ties me to the woman or man that looks in my face? its final modifications for the 1881 edition. Ferry,” like most of Whitman’s poems, contains little in the way
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