Male Headshots: From the Studio to the Billboard

How to turn an everyday male headshot into a billboard-ready, fashion photograph using lighting patterns and high-end retouching

Headshots are often seen as and perceived as girly and glamorous: Hours of makeup followed by hours of hair, and in the end there aren’t really any shots that she loves. When it comes to photographing male headshots, simplicity is key. The goal of a photographer is to balance the light. When taking male headshots, the simple application of standard lighting patterns can make the difference between not or HOT! If you combine these lighting patterns with some post production high-end retouching, your male headshot steps it up a level, becoming billboard ready!

With any headshot, good auxiliary lighting is key. For all the male headshots below, I used an Einstein strobe with a beauty dish and a diffuser cover. By using a beauty dish, we get the beautiful circular outlined catch light in the eyes!

 

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Loop Lighting

Named after the shadow loop underneath and to the side of the nose, Loop lighting is one of the most typical lighting patterns because it achieves a flattering look while at the same time creating depth. To take this photo a step above and beyond, I did some high end retouching to help even out the complexion and shadows on the skin, creating even better contrast with the glasses. Eyewear photographers, watch out! For more examples of high end retouching check out my buddy Gerardo Sumano, who is an expert at high end fashion photography and retouching!

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Rembrandt Lighting

Rembrandt lighting is lighting that features a triangle underneath the eye on the short side of the light.

 

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Split Lighting

Split lighting is where one side of the face is lit while the other is dark.

 

Low Key Lighting, Highly Dramatic Photography

Create dramatic photographs with a simple lighting technique that results in low key portraits and epic photographs

Epic. Dramatic. Softness. These are just a few adjectives that describe low key photography. Before shooting for this post, I’ve always had a fascination with any photographs that had a white background or were high key. Not only are photographs with a white background clean and sterile, they don’t distract from the subject. However, once you go black, you don’t go back.

 

Chiaroscuro and Key Values

Value is an elemental term in visual arts that relatively describes the amount of lightness or darkness that is present in a photograph or piece of artwork.

When we say the term low key we are describing a piece that is darker in it’s toning, coloring which creates a more dramatic, moody and emotional photograph or work. When an image is high key, overall the work is lighter and brighter creating a more simplistic and peaceful photograph or work.

During the Renaissance and Baroque periods, painters struggled with how to successfully translate a three-dimensional object onto a flat surface. In order to solve this problem, painters instituted a technique called Chiaroscuro, meaning light (chiaro) and dark (scuro). This technique resulted in high-contrast paintings that were dramatic and powerful. Take a look at some of Flickr’s top Chiaroscuro picks here. 

 

Highlight of History: Caravaggio

Source: Web Gallery of Art

Caravaggio was a Baroque Italian painter who made the chiaroscuro style famous. Most of his works feature a dark background and are highly contrasted with his subjects, which where illuminated intensely or dimly.

Caravaggio’s piece, The Calling of Saint Matthew, exemplifies his strong use of and attention to light and value. Caravaggio creates a strong dramatic image with the soft lighting from the beam shining into the room which creates a deep contrast between the variations of textures and colors. Overall, more rich and deep tones result in a low-key value.

 

 

 

Studio Quality Lighting with an Invisible Black Backdrop

Photographer Glyn Dewis has formulated a technique that allows any photographer, no matter where they are, to shoot on an invisible black backdrop with camera settings and a speedlight. The end result is a beautiful photograph with studio quality lighting and a subject against a black backdrop.

Depending on how the light is controlled, images shot with this technique can vary in value, however they are primarily low key images as the background is black. When shooting this technique, the photographer is able to decide whether or not the subject is lit brightly, or if it’s dim. I personally prefer dimmer images as it tends to result in a more dramatic photograph.

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It’s amazing to see what everyday object you can take and turn into an amazing picture. Steven, who sits on my friends table, became a floating fish with this simple technique!

Studio Quality Lighting, Soft Lighting, Black Backdrop

 

 

Low Key Portrait Photography

Low key portrait photography provides a dramatic and emotional look. When shooting low key portraits, you want to make sure that you have soft lighting.

Studio Quality Lighting, Low Key Portrait Lighting, Black Backdrop

This was a picture I took of Baylie Madyson, a photographer and graphic designer here in Rexburg. This picture was taken in the corner of a room. I used my youngnuo speedlight with a large rouge flashbender and held it above her head. After playing around with the flash power, I finally landed this shot with amazing lighting. I love how the soft lighting turns this into an emotional photograph.

The soft lighting combined with Baylie looking down creates an emotional photograph, exuding grace, innocence and beauty. Furthermore, the soft light slowly feathers its way back, until it reaches the invisible black backdrop. I love how this has created a nice soft frame for her face while adding depth and drama.

You can learn more on how to shoot low key lighting on TutsPlus guide to shooting Low Key Lighting.

 

Epic Photographs with Black Backdrops

The invisible black backdrop technique also works great to achieve studio quality lighting for product and creative photography. Take for example this flower below.

Studio Quality Lighting, Dramatic Lighting, Black Backdrop

When capturing this, the light was positioned above the flower and off a bit to the right. Because of this, the flower itself has a higher key value as it is brighter than the stem which is softly and subtly light. The reason why this is such an epic picture is because of the angle and composition of the photograph. By getting low, you are able to make objects seem more surreal, especially things like flowers which could easily be swallowed up by this black background.

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